As technologies continue to advance, building occupants are becoming capable of more and more. It began with the introduction of the computer, then went onto the smart phones, and now on the forefront are augmented reality technologies — one of which carries with it far-reaching implications.
Such mobile devices can be not only a great way to pool information about your occupant(s) “status” within your building, but can also serve to help you design new adaptive systems within your building in entirely new ways. Just imagine the more personalized experience and better collective effect your architecture can give them.
Augmented reality and other virtual digital displays can revolutionize they way we interact within architectural spaces. When sitting in your office, experiencing a museum or simply learning in school, occupants already use digital media to carry out even the most basic of tasks. Just imagine what the evolution of augmented reality can do.
Architecture is getting better at connecting — linking you to more environments, information and people all over the world. Augmented reality is a big reason why. You see, technologies that cater to augmented reality will act as ‘portals’ that link you to information, communities and destinations in real-time. Such advances are changing the way you experience architecture, both aesthetically and functionally.
When designing, how do you avoid this common architectural technology integration mistake? In this Micro-Lecture, you will learn three steps to help you holistically inject emerging technologies into the environments you design. These steps serve to heighten your project's sensory design performance for occupants.
A key to finding a design convergence point that solves for many of the challenges your project faces is to place your building occupants at the center, through multi-sensory design. From here, it becomes possible to innovate architectural experience while also overcoming the difficult project challenges that exist.
As architects, often there is a gap between the vision for a building design and the existence of materials available with which it can be built. Yet, the gap between creative vision and creative tools is also just as important --- but in a different way.