By exploring the poetics of space through writing, painting, and modeling or sculpting (digitally or by hand) – one discovers moments where space transcends to heighten human experience. The latter mediums are ways to capture this somewhat transient event; and through the act of capturing these, one can see more deeply into the dynamics of what makes a space transcendent.
Your sketchbook holds a world of useful insight that you can use to push your design process even further. Thinking is a critical part of design, and a sketchbook helps you to unlock how you can exponentially improve your own design thinking. How do you use your sketchbook to design? What pages are your favorite? And how can you strengthen your sketchbook system?
When an architecture is designed with a high level of poetics, the level of positive impact upon its occupants increases. This is because function, aesthetics, and meaning converge to uplift occupants’ lives in new ways – either moment by moment as they experience the environment and/or after they have left the environment but are transformed due to their experience within its spaces.
It is my hope that you take time to improve your design process. For this is the root of your architectural projects’ level of success. Thus, I invite you to begin with the the following three steps that will help you to tackle the core of what makes your design process work. After all, this is how your projects can evolve over time to reach those next highest levels.
Architectural flow is a higher-level poetic goal to reach as you design environments. After all, there is a significant difference between a building that houses a variety of independent functions that co-exist near one another versus a building that fosters functions that harmonize with each other as each leverages the other. This is an important characteristic of architectural flow – where an occupant narrative emerges from a well-designed environmental narrative.
Designing occupant-centered architecture calls for designers to think about environments as providing more than mere comfort. For architectural design, this means striving to reach beyond functionality within your solution. Together with function, aesthetics and meaning must be fused. But how do these all work together to yield new kinds of poetics that innovate occupant experience to uplift quality of life for the better?
What will the future of the architectural design process bring? Will you carry forward your trusted design methods while also injecting the opportunities that emerging design technologies bring? As a forward-thinking designer, I invite you to consider what your own future design process could be like, with the continual development of augmented/virtual reality, prediction algorithms, and faster global communication.
What happens when an environment is purposefully designed to bring occupants to the “edge of perceptional boundaries”? The Nyx project by Alberto Caiola Studio presents a “hand-drawn architecture of light” located in Shanghai, China. This rooftop bar plays with one’s visual perception as it transiently shifts between abstraction and reality with its 21,000 meters of UV reactive cord that glows blue within the black light.
The creative process is like a spring. You wind-up the spring to prepare for its release. When creating, I absorb in the world and explore internally (my wind-up), and then I have creative emergence (my release). And as I delve into my creative practice, I go back and forth between the two. How do you "absorb" as you prepare to "release" your creativity within your design solution?
When analyzing the finished results between a hand-drawing versus a digital-drawing, the stylistic differences are easy to see. Both types of drawings can be very beautiful, if thoughtfully composed. Yet, a designer will think about what they are drawing very differently depending on which drawing process they use.
A design process definition can be explained as the creative and iterative methods one goes through in order to solve for a particular challenge, need, or goal. Within architectural design, one’s design process goes through various stages that begin with an initial creative vision that ultimately gets built as a building that occupants can use. The goal for architects is to optimize their design process in order to create the highest quality architectural design in the shortest amount of time, and within budget. The following is an architect's guide to design process.
Creativity within architectural design dives deep to not only create an experience that fulfills, but also nurtures occupants to engage in activities that bring new ideas, new solutions, and new or improved processes. An architectural space that successfully evokes occupant creativity is one where each occupant can feel “meaningful freedom” within which to do their most authentic thinking.
The question remains: Can virtual reality be an architectural sensory experience? As you ponder the answer to this question, it is important to think first about how to define an architectural sensory experience.
To experience the latest book by Claudio Silvestrin is to experience architecture on a more spiritual level. The book is entitled Claudio Silvestrin’s Timeless Italian Style Architecture Design Philosophy, and as I turned the pages to consciously experience his work, I savored the moments as they evoked peace, joy, and even spiritual sensibility.
Even as you formulate the initial schematics for your architectural concept design, it is wise to comprehensively research not only what your occupant thinks they need now, but also how they would like to grow: physiologically, intellectually, emotionally, behaviorally, and even spiritually. This will help you to grasp how the environmental design’s behavioral language needs to adapt.
Is all of life a game-like journey? Or is the journey more of an experiential process with no real end-goal? Whatever life seems to be at a given moment, it is interesting to consider what physical environments would be like if they were designed with a gaming mentality.
I invite you as an architectural designer to unlock the power of 3D to 4D visualization. Going from 3D visualizations to interactive 4D immersive VR experiences of your design projects (with sound) will convey your concept ideas better by making your multi-sensory design interventions come to life in more tangible ways.
What if an architectural environment could change, learn, and adapt to help occupants as they live, work, heal, or play within a given space? Furthermore, what if such an environment allowed visitors to leave their own “mark” within its design fabric, so future occupants could perceive what came before? Such a malleable architectural environment, would work as if it were a fluid sculpture – able to absorb and preserve a “fingerprint” while still being able to respond to current and future needs and goals.
How often do you work to improve your creativity? You see, creativity is like a muscle, and it must be exercised for you to become a quick and smart design thinker and decision-maker. The key is to know how to push yourself into new “creativity zones” where you can learn to shift paradigms, use new tools, unlock new processes, and even find new ways of working with your team.
How can you push your architectural design to help uplift the lives of your occupants in transformational ways? This may call for you to more deeply understand multi-sensory design and emerging technologies, so you can make smarter design decisions while creating environments.