There is a principle when it comes to systems optimization which says that if one part of the system is broken, you should look at the part just before it — because it is likely that that is where the problem really originates from. And to me, this principle can be carried through into architecture as you begin to look at how an occupant travels through built forms, from space to space, or from room to room.
Boundary within building design involves factors like layering, filtering, and opening or closing. It is a way for you as an architect to communicate to your occupants about where they were, where they are, and where they are going.
Variation in building design can contribute a lot toward achieving a harmonic design balance. Unified designs often celebrate differences as much as they celebrate sameness, and it is the interaction between the two that may yield a simple complexity.
When your occupant touches a material within your building they are immediately given more information to compile into their mental image about your space. And this perception, influenced by their haptic senses, contributes to how successful their experience is within your building.
Design section drawings are very important because they reveal height immediately. And with height, you as an architect can accomplish some amazing things.
Color has the ability to emphasize. And what does this mean for your architectural designs? It means that you can create hierarchy, structure, order and repetition through differences.
To view urban architecture as the result of a design process of co-creation fundamentally shifts how it can be used to bring higher levels of thrivability to citizens. By integrating citizen ideas, behaviors, and experiential insights into how such urban systems and elements adapt, the city becomes a more joyous, peaceful, healthier, and inspiring place to live. This is how urban architecture can help cities to reach these higher levels – by pulling from the wisdom and ingenuity of its citizens through its buildings, that together act as a bridge that opens communication between people and city.
Schematic design is the first stage of an architectural design project, and within this phase there are important milestones to get right that will greatly leverage the project’s results throughout the rest of its impending design phases. For example, by iteratively designing through various schematic prototypes, it becomes possible to optimize one’s design concept idea in a way that prevents future errors and expands the discovery of new design opportunities.
With the design of each built environment, it is possible to help make the world a better place for individuals, the collective, and the planet. The key is to rise as architectural designers to create poetic architecture, not mere status quo buildings. You see, it is with poetic architecture that environmental design can awaken potential to nurture the self-actualization of those it serves.