To experience the latest book by Claudio Silvestrin is to experience architecture on a more spiritual level. The book is entitled Claudio Silvestrin’s Timeless Italian Style Architecture Design Philosophy, and as I turned the pages to consciously experience his work, I savored the moments as they evoked peace, joy, and even spiritual sensibility.
Greening Modernism’s author, Carl Stein, makes a case for a more unified and holistic architecture that reaches a sustainable synergy through building reuse, with particular attention to the balance between the qualitative aspects of science and the more effect-driven aspects of utility and human experience.
As we delve into designing architecture that is more dynamic, transient and personalized, we as architectural designers need to re-think not only how we see pattern, but also how we integrate it within our built environments — as it does affect the very people that we design for, and it does become the very fabric by which our buildings behave to ultimately engage with them.
So as it turns out, the different human senses cross-relate and inform each other in some pretty sophisticated ways. This is something you should definitely understand as you design your built environments.
Sensory Design is a book to really make you, as an architect, more aware of how your designs impact people. Taking and in-depth look at how humans perceive space and built form, Sensory Design is really quite a remarkable publication.
Ubiquitous computing holds much promise in certain ways; yet, it seems that it can fall short in others. As evolution brings us toward environments where there are a multitude of computers per person, it seems that such smart environments can indeed “streamline” our lives. The problem emerges; however, when we consider how this all might actually work.
Color, Environment & Human Response is filled with seventeen chapters of detailed insight about how color really impacts occupants within architectural designs. The author, Frank H. Mahnke explains color and its various complex dimensions, from neuropsychological aspects to human emotion and beyond.
With the continual development of biomimicry that learns from nature to create design solutions, it is important to see the “bigger picture” as well. This is about more than replicating nature’s design exactly as it presents itself. Instead, to embody the fluidity of nature within environmental designs, an even deeper philosophical design awareness is needed. A designer with such an awareness may ask: How can a building “breathe” in and out to help its occupants as they strive to reach their goals?
When designing architectural environments, how do you notice your creative thinking? Yes, this question asks how you as a designer can observe your design process. Why is this important? When you become truly aware of your creative process, you are able to step outside of it to ask important questions and make critical decisions to improve and optimize how you design.
How can environments be designed to nurture human happiness? How can environments work to help people evolve into the best version of themselves? These are important questions for which to factor as you perceive, use, and/or design environments.