To experience the latest book by Claudio Silvestrin is to experience architecture on a more spiritual level. The book is entitled Claudio Silvestrin’s Timeless Italian Style Architecture Design Philosophy, and as I turned the pages to consciously experience his work, I savored the moments as they evoked peace, joy, and even spiritual sensibility.
Greening Modernism’s author, Carl Stein, makes a case for a more unified and holistic architecture that reaches a sustainable synergy through building reuse, with particular attention to the balance between the qualitative aspects of science and the more effect-driven aspects of utility and human experience.
As we delve into designing architecture that is more dynamic, transient and personalized, we as architectural designers need to re-think not only how we see pattern, but also how we integrate it within our built environments — as it does affect the very people that we design for, and it does become the very fabric by which our buildings behave to ultimately engage with them.
So as it turns out, the different human senses cross-relate and inform each other in some pretty sophisticated ways. This is something you should definitely understand as you design your built environments.
Sensory Design is a book to really make you, as an architect, more aware of how your designs impact people. Taking and in-depth look at how humans perceive space and built form, Sensory Design is really quite a remarkable publication.
Ubiquitous computing holds much promise in certain ways; yet, it seems that it can fall short in others. As evolution brings us toward environments where there are a multitude of computers per person, it seems that such smart environments can indeed “streamline” our lives. The problem emerges; however, when we consider how this all might actually work.
Color, Environment & Human Response is filled with seventeen chapters of detailed insight about how color really impacts occupants within architectural designs. The author, Frank H. Mahnke explains color and its various complex dimensions, from neuropsychological aspects to human emotion and beyond.
Your sketchbook holds a world of useful insight that you can use to push your design process even further. Thinking is a critical part of design, and a sketchbook helps you to unlock how you can exponentially improve your own design thinking. How do you use your sketchbook to design? What pages are your favorite? And how can you strengthen your sketchbook system?
When an architecture is designed with a high level of poetics, the level of positive impact upon its occupants increases. This is because function, aesthetics, and meaning converge to uplift occupants’ lives in new ways – either moment by moment as they experience the environment and/or after they have left the environment but are transformed due to their experience within its spaces.
It is my hope that you take time to improve your design process. For this is the root of your architectural projects’ level of success. Thus, I invite you to begin with the the following three steps that will help you to tackle the core of what makes your design process work. After all, this is how your projects can evolve over time to reach those next highest levels.