To experience the latest book by Claudio Silvestrin is to experience architecture on a more spiritual level. The book is entitled Claudio Silvestrin’s Timeless Italian Style Architecture Design Philosophy, and as I turned the pages to consciously experience his work, I savored the moments as they evoked peace, joy, and even spiritual sensibility.
Greening Modernism’s author, Carl Stein, makes a case for a more unified and holistic architecture that reaches a sustainable synergy through building reuse, with particular attention to the balance between the qualitative aspects of science and the more effect-driven aspects of utility and human experience.
As we delve into designing architecture that is more dynamic, transient and personalized, we as architectural designers need to re-think not only how we see pattern, but also how we integrate it within our built environments — as it does affect the very people that we design for, and it does become the very fabric by which our buildings behave to ultimately engage with them.
So as it turns out, the different human senses cross-relate and inform each other in some pretty sophisticated ways. This is something you should definitely understand as you design your built environments.
Sensory Design is a book to really make you, as an architect, more aware of how your designs impact people. Taking and in-depth look at how humans perceive space and built form, Sensory Design is really quite a remarkable publication.
Ubiquitous computing holds much promise in certain ways; yet, it seems that it can fall short in others. As evolution brings us toward environments where there are a multitude of computers per person, it seems that such smart environments can indeed “streamline” our lives. The problem emerges; however, when we consider how this all might actually work.
Color, Environment & Human Response is filled with seventeen chapters of detailed insight about how color really impacts occupants within architectural designs. The author, Frank H. Mahnke explains color and its various complex dimensions, from neuropsychological aspects to human emotion and beyond.
Schematic design is the first stage of an architectural design project, and within this phase there are important milestones to get right that will greatly leverage the project’s results throughout the rest of its impending design phases. For example, by iteratively designing through various schematic prototypes, it becomes possible to optimize one’s design concept idea in a way that prevents future errors and expands the discovery of new design opportunities.
With the design of each built environment, it is possible to help make the world a better place for individuals, the collective, and the planet. The key is to rise as architectural designers to create poetic architecture, not mere status quo buildings. You see, it is with poetic architecture that environmental design can awaken potential to nurture the self-actualization of those it serves.
How often do you capture a "creative spark"? The key when modeling a creative spark is to create an MVM, a Minimum Viable Model, that quickly tests your creative spark. This initial physical model is a quick handmade prototype to help yield proof of concept: built to see if this creative spark has depth for further development.