To view urban architecture as the result of a design process of co-creation fundamentally shifts how it can be used to bring higher levels of thrivability to citizens. By integrating citizen ideas, behaviors, and experiential insights into how such urban systems and elements adapt, the city becomes a more joyous, peaceful, healthier, and inspiring place to live. This is how urban architecture can help cities to reach these higher levels – by pulling from the wisdom and ingenuity of its citizens through its buildings, that together act as a bridge that opens communication between people and city.
Schematic design is the first stage of an architectural design project, and within this phase there are important milestones to get right that will greatly leverage the project’s results throughout the rest of its impending design phases. For example, by iteratively designing through various schematic prototypes, it becomes possible to optimize one’s design concept idea in a way that prevents future errors and expands the discovery of new design opportunities.
With the design of each built environment, it is possible to help make the world a better place for individuals, the collective, and the planet. The key is to rise as architectural designers to create poetic architecture, not mere status quo buildings. You see, it is with poetic architecture that environmental design can awaken potential to nurture the self-actualization of those it serves.
How often do you capture a "creative spark"? The key when modeling a creative spark is to create an MVM, a Minimum Viable Model, that quickly tests your creative spark. This initial physical model is a quick handmade prototype to help yield proof of concept: built to see if this creative spark has depth for further development.
The above close-up section of a recent environmental drawing I created explores what I call the structure of gravity. This paradoxical term speaks to the bridging of architecture between the earth and sky – as built form rises upward as if to collaborate with the science of gravity through the structure of design expression.
Developing the ability to evolve your design process is critical not only to your architectural brand, but also to the clients and building occupants your design projects serve. By formulating design concepts that push boundaries, you eliminate getting stuck or plateauing as you improve your design thinking and design doing from project to project.
With the continual development of biomimicry that learns from nature to create design solutions, it is important to see the “bigger picture” as well. This is about more than replicating nature’s design exactly as it presents itself. Instead, to embody the fluidity of nature within environmental designs, an even deeper philosophical design awareness is needed. A designer with such an awareness may ask: How can a building “breathe” in and out to help its occupants as they strive to reach their goals?
When designing architectural environments, how do you notice your creative thinking? Yes, this question asks how you as a designer can observe your design process. Why is this important? When you become truly aware of your creative process, you are able to step outside of it to ask important questions and make critical decisions to improve and optimize how you design.
How can environments be designed to nurture human happiness? How can environments work to help people evolve into the best version of themselves? These are important questions for which to factor as you perceive, use, and/or design environments.
As an architect, it is important to be aware of the potential positive and negative effects of emerging technologies as these become ubiquitously embedded within environments. For this reason, the concept design stage of a project is an ideal phase within which to creatively and strategically harness the positive benefits such technologies bring. A unique way to think about the integration of emerging technology within architectural space is to consider how technology can create counterintuitive sensory moments. Just imagine how augmented reality will change the way people perceive and understand their own physical world around them.
The link between architectural design and film is an important one. But have you ever thought about using the tools and process that filmmakers use to help you visualize your architectural design during its initial concept development stage?
By exploring the poetics of space through writing, painting, and modeling or sculpting (digitally or by hand) – one discovers moments where space transcends to heighten human experience. The latter mediums are ways to capture this somewhat transient event; and through the act of capturing these, one can see more deeply into the dynamics of what makes a space transcendent.
Your sketchbook holds a world of useful insight that you can use to push your design process even further. Thinking is a critical part of design, and a sketchbook helps you to unlock how you can exponentially improve your own design thinking. How do you use your sketchbook to design? What pages are your favorite? And how can you strengthen your sketchbook system?
When an architecture is designed with a high level of poetics, the level of positive impact upon its occupants increases. This is because function, aesthetics, and meaning converge to uplift occupants’ lives in new ways – either moment by moment as they experience the environment and/or after they have left the environment but are transformed due to their experience within its spaces.
It is my hope that you take time to improve your design process. For this is the root of your architectural projects’ level of success. Thus, I invite you to begin with the the following three steps that will help you to tackle the core of what makes your design process work. After all, this is how your projects can evolve over time to reach those next highest levels.
Architectural flow is a higher-level poetic goal to reach as you design environments. After all, there is a significant difference between a building that houses a variety of independent functions that co-exist near one another versus a building that fosters functions that harmonize with each other as each leverages the other. This is an important characteristic of architectural flow – where an occupant narrative emerges from a well-designed environmental narrative.
Designing occupant-centered architecture calls for designers to think about environments as providing more than mere comfort. For architectural design, this means striving to reach beyond functionality within your solution. Together with function, aesthetics and meaning must be fused. But how do these all work together to yield new kinds of poetics that innovate occupant experience to uplift quality of life for the better?
What will the future of the architectural design process bring? Will you carry forward your trusted design methods while also injecting the opportunities that emerging design technologies bring? As a forward-thinking designer, I invite you to consider what your own future design process could be like, with the continual development of augmented/virtual reality, prediction algorithms, and faster global communication.
What happens when an environment is purposefully designed to bring occupants to the “edge of perceptional boundaries”? The Nyx project by Alberto Caiola Studio presents a “hand-drawn architecture of light” located in Shanghai, China. This rooftop bar plays with one’s visual perception as it transiently shifts between abstraction and reality with its 21,000 meters of UV reactive cord that glows blue within the black light.
The creative process is like a spring. You wind-up the spring to prepare for its release. When creating, I absorb in the world and explore internally (my wind-up), and then I have creative emergence (my release). And as I delve into my creative practice, I go back and forth between the two. How do you "absorb" as you prepare to "release" your creativity within your design solution?